Highlights
WatchProduct, 2026
LightBeauty, 2026
TrailNarrative, 2026
I look after the colour of your film.
Your footage can come from any common camera, whether it’s log, RAW or Rec.709. First, I match all the shots. Every scene should hold together, even when the camera or the light changes.
We develop the look together. Bring references or just a mood, or I’ll suggest one. Then I refine the look until it fits your film.
I take on commercials, music videos, series, short and feature films, and YouTube formats. I work remotely from Germany, in English or German, and come on-site when needed. Since May 2024, I’ve worked exclusively in DaVinci Resolve.
I’ll reply the same working day.
Blackmagic Design — Certified User Colorist's Guide, DaVinci Resolve 20 · 2026 (PDF, opens in a new tab)Editor's Guide, DaVinci Resolve 20 · 2026 (PDF, opens in a new tab)
How a project works.
- EnquiryTell me briefly about the project. Include the length, camera, edit status and deadline. I reply the same working day and let you know if the timing works.
- Footage reviewNext, I look at the footage. For that I need a video of the edit, a few original clips and an idea of the look. Then you get a quote with price, scope and dates. I bill by effort, per project. If anything goes beyond the agreed scope, we talk about it first.
- Go-aheadIf the quote works for you, a short email is enough. Then you send me the full footage. We’ll agree on how to transfer it.
- GradingI match all the shots first. Then I develop the look for the whole film. You get a version to review. Send me your notes in one batch, with timecodes, and I’ll work them in. That’s one round of revisions. The quote says how many rounds are included.
- Approval and deliveryYou approve the final version. Then you get the master in the format your project needs, plus any versions we agreed on.